ArtWalk Demo

The Dicken's Opera House, Longmont, Watercolor on paper, 22x15

Last Friday night, I did a live demonstration at a street fair. It was the first time I did a demo outdoors in the evening. The Main Street in Longmont was closed to traffic at 6:30pm and then all the setup activity started, so I was not able to start painting until 7pm. I anticipated I would not have daylight for long, so I took a photo of the street corner scene I wanted to paint two days before, and used that as my reference. I also did all the pencil drawing ahead of time, so that I would be able to complete the painting during the demo.
I brought a daylight lamp, but that meant intense glare on the paper and less than enough light where my palette was. But I did complete my painting and was quite happy with it, and the viewers gave good feedback as well. This is a view of the Old Opera House in Longmont, a very nice building... so nice in fact that I accidentally allowed it to compete too much with the other focus area of the scene, where all of the figures were.

This is a photo of my setup. I used M Graham watercolor paints (mostly azo orange, cadmium red light, viridian, cobalt blue, cobalt teal, ultramarine blue and quinacridone rust, in addition to some neutral tint) and squirrel mop brushes, and a synthetic round for details. I worked on a half sheet of Arches 140lb Rough paper, and it took me one hour and 45 minutes.

Upcoming Demo at ArtWalk

A week from today, on September 16th, I will be doing a painting demonstration, this time in Longmont, as part of the ArtWalk festival on Main Street. I will probably do a street scene of that very location. I always have fun on these occasions, the dialog with the viewers is stimulating and I end up learning a lot from verbalizing the process to the audience and getting questions and immediate feedback. If you have a chance, please stop by! The demo starts at 6:30 pm, at the ArtWalk demo booth on 4th and Main, across from Ziggy's Coffee.
(Photo courtesy of Gene Youngmann)

Mammoth Mine and Louisville Fine Art Show

Standing Guard (Mammoth Mine), watercolor on Aquabord, 20x16

This painting was done on location at the Mammoth Mine site in Boulder County. It was painted on a beautiful June morning, the building has beautiful aged colors and a slanting stance that speaks of its age and service, and it is guarded on all flanks by aspen trees. It was a privilege to get to paint on this site, thanks to a permit from the Boulder Country Parks and Open Spaces administration as part of their first plein air exhibit event, since this location is closed to the public. The painting is now sold and I am very pleased that the buyer is someone who knew this location growing up and appreciates the environment and feelings that the painting evokes.

On a different note, this has been a busy season, with overlapping shows. Just as the Boulder County plein air exhibit came to a close, it was time for the opening reception of the Louisville National Fine Art Exhibit, last night. The event was very well attended by many artists and the local community. In fact to crowded to even take a photo together with my painting, but no regrets. I hope to return there during the week for a calmer viewing of the great paintings in the show.

Boulder County Plein Air Art Exhibit Opening

Afternoon Glow, Legion Park, watercolor on Aquabord, 16x20

Friday, August 19th is the Exhibit Opening Reception of the Boulder Parks and Open Spaces Plein Air Art Exhibit, at the Old Firehouse Art Center in Longmont. The exhibit features four paintings by each of the twenty artists selected for this event. In addition, a preview of the artists and their work is being held at the Boulder Courthouse at the Pearl Street Mall, where my painting Afternoon Glow, Legion Park is on display. This painting, like the other four, was done on site, completed in two sessions, last June.

This has been a long process, the selection started back in March, the painting period was in June, so we are all excited to finally have the show open to the public. The reception starts at 6pm and the exhibit will be open until September 3rd.

Urban Realism Workshop with John Salminen, part 2

Royal Street, New Orleans, watercolor on paper, 15x21

This is the painting I completed during the urban realism workshop with John Salminen. I used M. Graham paints, Arches 140lb cold press paper, a squirrel mop brush, flat and round synthetic brushes, and a round kolinsky for details. I had chosen my reference from a photo I took in 2001, and did all the drawing in advance of the workshop. I will comment on some of the aspects of the painting that illustrate learning points from the workshop:

1. The tonal plan corresponds to John's guidelines to use value to differentiate the planes of the picture: The background is built with light values, the middle ground with middle values and the foreground with dark values--the exception is the main figures, but that was done as a form of focus. John's demo and the work of other participants showed that the association of planes and values can work in any combination (middle>dark>light, light>dark>middle, etc.) and produces a successful feeling of depth. I also tried to use a wide range of values, from the white of the paper to very dark grays.

2. A lot of the light details were saved with masking tape and cutting knife, some were lifted with Mr Clean Magic Eraser--this allowed for the creation of very thin lines and fine detail.

3. The reflections on the sidewalks was done using John's method of wetting the paper, dropping color with vertical strokes of a flat brush, and softening the transitions with a hake brush.

4. The dark walls on the right were painted mostly with ultramarine blue and burnt sienna, which created a warm dark value that was competing with the warm color walls on the left. If I'd tried to cool the color down by brushing further layers of color, I would end up with a very dull surface. Instead, to fix that problem, I masked around the wall shapes and sprayed with blue color through a mouth atomizer, which cooled the color without significantly altering the value or luminosity of the shapes.

The resulting painting is successful in capturing the mood and atmosphere of a hot, humid New Orleans morning. John Salminen pointed out the role of the foreground darks in making the middle value shapes glow with reflected light.

Urban Realism Workshop with John Salminen

I have just completed a workshop on Urban Realism with the master John Salminen, in Colorado Springs. This workshop had been in my goals for a few years now and I finally had the opportunity to attend, and it delivered: John is a great artist and instructor; his wife Kathy the perfect assistant! The three day workshop was instructive and inspirational, and the twenty participants did a wonderful job under John's guidance. Some of the highlights were:

• John emphasizes a value plan, but unlike other instructors who used this as a device to maximize contrast in center of interest, John stressed the way to use values to separate the planes of the space and create depth.
• John demonstrated different ways of reserving whites, and of rescuing light areas, and shared his recipes for warm and cool grays and darks.
  
• We learned the use of a mouth atomizer to adjust value and temperature in our paintings.
• We also learned practical techniques for creating soft and hard edged reflections.
• One of the most important takeaways in my view was the importance of related middle values.

Another fringe benefit of the workshop was the opportunity to meet a group of wonderful artists, most from the Colorado Springs area, including the master Tom J. Owens.

In my next post I will include more notes and a photo of my painting from the workshop.

PPWS International Exhibit Opening Reception

The Pikes Peak Watercolor Society National Watermedia Exhibit reception on Friday was a very nice event, I met a lot of interesting people and some famous artists. The photo above shows me posing by my featured painting. I was in good company--my painting was hanging between those of Karen Standridge and Frank Lalumia, both of which received awards. Other well-known names in the exhibit included Bill James, Susan Hinton, and Elaine Daily-Birnbaum, among others. Juror John Salminen was present with his wife Kathy. My congratulations to the Pikes Peak Watercolor Society for organizing such a great quality exhibit.