1. Here I am describing my approach. I tried to describe my goals and decision-making process, as well as answer questions, throughout the session.
2. First washes in the sky area. I treated this demo as I would a plein air session. The photo of the scene was pasted on the wall, but the setup, speed, technique and level of detail employed were the same I use outdoors.
I used a quarter size sheet of Saunders Waterford Cold Press paper. It was not pre-soaked or stretched, I simply clipped it to my board, sketched outlines with pencil and started painting.
3. This photo shows the build up of wet on wet colors for the dark shapes of the farm buildings.
I am working here with a Rekab squirrel mop size 6. The palette is a metal watercolor box with both full pans and half pans. The colors were from Schmincke, Winsor & Newton, Da Vinci.
4. At this point, I changed to a size 24 Da Vinci Cosmotop Spin to work on the mass of trees and the details of the fence and other dark shapes that connected the left and right side of the painting.
5. I added the darkest shapes, making sure to blend them together for continuity. I worked carefully to preserve highlights, and to keep the negative shape of the figure.
6. In this photo, I'm adding the details of the figure, with the help of a smaller synthetic travel brush.
I was at the 1 1/2 hour period, so I had to rush to insert some last details and adjust some colors and values.The final result is shown below.